Dana Gioia

Official site for poet and critic Dana Gioia

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Orchestra

Climbing the scales three octaves at a time,
I search for you among the high notes where
the tender flute resides. But where are your
sweet eyelashes? Not there.

Then I descend among the sunlit brasses—
their funnels glistening like fountain tips.
I let them splash me with their streaming gold,
but I can’t find your lips.

Then daring ever deeper I explore
the depths the elemental strings command.
Their bows will not create a miracle
without your stroking hand.

The orchestra is still. The score is blank.
Cold as a slide rule the brasses, strings, and flute.
Sonorous lover, when will you return?
The orchestra is mute.


Translated from the Romanian of Nina Cassian

Filed Under: Others, Poems

Especially in Weeping

Especially in weeping
the soul reveals
its presence
and through secret pressure
changes sorrow into water.
The first budding of the spirit
is in the tear,
a slow and transparent word.
Then following this elemental alchemy
thought turns itself into substance
as real as a stone or an arm.
And there is nothing uneasy in the liquid
except the mineral
anguish of matter.


Translated from the Italian of Valerio Magrelli

Filed Under: Others, Poems

Entrance

Whoever you are: step out of doors tonight,
Out of the room that lets you feel secure.
Infinity is open to your sight.
Whoever you are.
With eyes that have forgotten how to see
From viewing things already too well-known,
Lift up into the dark a huge, black tree
And put it in the heavens: tall, alone.
And you have made the world and all you see.
It ripens like the words still in your mouth.
And when at last you comprehend its truth,
Then close your eyes and gently set it free.


Translated from the German of Rainer Maria Rilke.

Filed Under: Others, Poems

On Approaching Forty

The thought pursues me through this dreary town
where the wind sweeps down from the high plateau
and where a diving chimney swift can cut
the slender thread of mountains far away.

So soon come forty years of restlessness,
of tedium, of unexpected joy,
quick as a gust of wind in March is quick
to scatter light and rain. Soon come delays,
snatched from the straining hands of those I love,
torn from my haunts, the customs of my years
suddenly crushed to make me understand.
The tree of sorrow shakes its branches…

The years rise like a swarm around my shoulders.
Nothing has been in vain. This is the work
which all complete together and alone,
the living and the dead, to penetrate
the impenetrable world, down open roads,
down mineshafts of discovery and loss,
and learned from many loves or only one,
from father down to son–till all is clear.

And having said this, I can start out now,
easy in the eternal company
of all things living, of all things dead,
to disappear in either dust or fire,
if any fire endures beyond its flame.

Translated from the Italian of Mario Luzi

Filed Under: Others, Poems

Selected Essays

  • W. H. Auden
  • Elizabeth Bishop
  • Ray Bradbury
  • Anthony Burgess
  • Charles Causley
  • Anton Chekhov
  • Peter Davison
  • Tom Disch
    • Remembering Tom Disch
  • T.S. Eliot
  • William Everson
  • William Everson
  • James Fenton
  • Jack Foley
  • Robert Frost
    • On Robert Frost’s “Nothing Gold Can Stay”
    • Robert Frost and the Modern Narrative
  • Gabriel García Márquez
  • Thom Gunn
  • R. S. Gwynn
  • John Haines
  • Donald Hall
  • H. L. Hix
  • Barbara Howes
  • Randall Jarrell
  • Robinson Jeffers
  • John Keats
  • Weldon Kees
    • Weldon Kees: Naked Kees
    • Weldon Kees: On “Aspects of Robinson”
    • On John T. Irwin’s The Poetry of Weldon Kees
  • Garrison Keillor
  • Ted Kooser
  • Philip Larkin
  • Philip Levine
  • Henry Wadsworth Longfellow
  • Robert McDowell
  • Samuel Menashe
  • Frederick Morgan
  • Adrienne Rich
  • Kay Ryan
  • William Jay Smith
  • Felix Stefanile
  • Radcliffe Squires
  • James Tate
  • Dunstan Thompson
  • Richard Wilbur
  • John Allan Wyeth